莫奈在他漫长的绘画生涯里
纪录了巴黎的自然景观以及日常生活
走近莫奈和印象派
今天的推荐的这些画作
值得你在朋友圈发一次九宫格
IMPRESSIONISM
ClaudeMonet(-)Alice谈莫奈与印象派
Oncecalledanabstractpieceofunfinishedworkbycritics,overone-hundredyearslater,Monet’sworkImpression,Sunriseisacriticalpartofahistoricartmovement.Monetsketchedthisworkonvacation,whilehewaslookingouthiswindowonespringmorning.Hisquicksketchescapturedaparticularlighteffect,thereforeareveryspontaneous.BecauseMonetdidnotfeelthattherewasenoughdetailtotitlethepaintingHarborofLeHarve,thenameImpression,Sunrisewasgiven,andMonettitledmostofhispaintingswith“Impression”forthisreason.00多年前被学院派攻击，视作“未完成的、过于抽象的“画作——《印象·日出》是年代法国艺术运动中至关重要的一笔。保守的学院派评审看不懂这张画。他们长期在昏暗狭窄的画室里，不知道外面世界的光如此华丽灿烂，如此瞬息万变。这幅画作于度假期间，莫奈在某个春日的早晨探头窗外,用短频快的笔触即兴捕捉瞬间的光色变化，潇洒自如。但他认为这幅描绘勒阿弗尔港口的作品细节并不突出，很难取名。整幅图就是他的印象，索性就叫作《印象·日出》。莫奈的很多其它作品名称里都有“印象”二字也是同一缘由。
Impression,Sunrise《印象·日出》
Inthispainting,thesunisplacedagainstthedawnsky,withorangeandblue–violentcontrast.Becauseitwasaverymistymorningontheharbor,thecloudsarecoloredbytherisingsun,inthedensemist,andtheboatstakeshape,withoutgreatdefinition.Theabbreviateddarkerbrushstrokesinthewater,createmotion,andripples,whilehintsoforangeandyellowappearasareflectionofthesunriseintheharborwater.Theships’mastsaresometimesdisruptedbytheripplingwater,asthesilhouettesoftheboatsseemtobedisappearingintothemist.
我们看到黎明的云雾中涌出一轮光彩夺目的红日——橘红色和蓝色强烈的反差。这是勒阿弗尔港口一个朦胧的早晨，晨曦雾气中的云朵被红日染成微红，小船在朦胧中依稀可辨。水中深色粗旷、厚薄不同、长短不一的笔触展现了水波的动感，而橘色黄色点缀了出了水中太阳的倒影。船桅时而被水波遮挡，而船影似乎在摇曳中消失于迷雾里。
Aninterestingobservationaboutthispaintingisthatalthoughthesunseemstobemuchbrighterthantherestofthescene,ifviewedremovingallcolor,thesunalmostdisappears.45yearslater,wecanalmostfeelthatwearelookingoutthesamewindowMonetdidthatSpringmorning.
画中红日的颜色似乎比周边的景致都要明亮。有趣的是，一旦我们擦除周边所有的颜色，这轮红日似乎也就淡出画面。45年后的今天，我们好像透过一扇窗看到这幅港口日出图，正如莫奈当年那个春天的早晨一般。
TheLuncheon
《午餐》
ItdepictsMonet’sdomesticlife.Hisson,Jean,thensixyearsold,appears,butithasbeenpointedoutthatheisfrequentlyisolatedfromtheotherpeopleinthepainting.OneofthefiguresinthebackgroundispresumablyCamille,emphasizingthepsychologicalseparationthatisknowntohaveexistedbetweenherandherson.
这里描绘的是莫奈的居家生活。他六岁的儿子Jean出现在画里。背景中隐约可见Jean的母亲Camille,跃然画中的疏离感印证了传说中她和儿子的疏远关系。
PoppiesofArgenteuilorPoppyField
《亚嘉社的罂粟花田》
Transparentatmosphere—herehumanbeingspassasglimmersandaglimpseofeverything…everythingisilluminatedandquiversunderwavesoflightpropagatedinspace.Theirfacesarenotrenderedindetail,emphasizingthefleetingnatureofMonet’s“impression”ofthescene.Theenhancedcoloroftheredpoppiesagainstagreenbackgroundderivesfromthefactthattheyare北京中科中医院北京中科白癜风医院路线
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